Mississippi Today
Q&A: Jackson’s Springboard to Opportunities director on what the nonprofit learned from putting cash into low-income mothers’ hands
Q&A: Jackson’s Springboard to Opportunities director on what the nonprofit learned from putting cash into low-income mothers’ hands
Sarah Stripp is the managing director of Jackson-based nonprofit Springboard to Opportunities, which supports low-income Mississippians. During the water crisis, when families couldn’t rely on clean water from their own pipes, Stripp’s organization was giving households $150 a month to buy bottled water. The group is best known for its guaranteed income program, Magnolia Mother’s Trust. Stripp sat down with reporter Sara DiNatale to talk about her work and what the group’s learned entering its fifth year of the income program.
The interview has been edited for clarity and length.
Sara DiNatale: Well, first off, if you could just tell me a little bit about your nonprofit, Springboard to Opportunities, and all of the types of things you do and the type of gaps that you try to help fill for women in Jackson?
Stripp: So we are an organization that works with families who live in federally subsidized housing, and provide programs and services to help them meet their goals. So subsidized housing, particularly in Mississippi is like 99%, headed by single women and about 99% of those families are Black.
So while technically, our mission is to reach families, and affordable housing, it tends to be Black mothers who are kind of like the main recipients of our work. We really started in 2013 as a resident-service provider. We were basically contracted by private developers to come and provide additional services to families in affordable housing. So that could be everything from providing housing stability, helping folks if they’re behind on rent and trying to figure out some different resources, or making sure that they’re able to keep up their apartments. Then, having things they need for that, too, like helping folks get childcare or providing after school programs, workforce support programs or different things like that.
And so we work really closely with community members themselves to actually tell us what it is that they need, as opposed to coming in and deciding for them what they need. Because we believe families know better than anybody else what it is that they need in order to thrive and meet their goals.
DiNatale: So, what do they need? And how has that turned into programs that you offer?
Stripp: As we would design programming, we would do that hand-in-hand with community members and do our best to make sure that it was lining up with what they were asking for. And at the same time, we also really recognize that programming can only do so much. And at the end of the day, if there’s not good policies to support families, nothing’s going to change.
It was through some of that work, and through conversations that we were having with families, where we kept hearing them say: ‘You know, what I actually need to reach my goal is not like another program or another thing that I have to attend, right? It’s cash … Food stamps are only going to cover food. My housing voucher only covers housing. I also need diapers; I also need transportation; I also need childcare. I need all these other things. If I’m trying to do that, I need the freedom to be able to spend cash in the way that I see fit for me and my family, as opposed to in the way that a government voucher has decided I should spend it.’
So from that, we wanted to really honor our mission and who we are as an organization and said, ‘OK, so let’s figure out how we’re going to do that.’ So we started a small pilot in 2018, with 20 black mothers called the Magnolia Mother’s Trust, which was really the first guaranteed income program … that launched in the country.
DiNatale: So how does the program work and what did you see start to happen?
Stripp: We were working at that point (in 2018) with just 20 moms who received $1,000 a month for 12 months with no strings attached … to see what would happen. And just to kind of put it out there … When moms get money, they spend it to support their families.
Whether that was being able to go back to school or move to a higher paying job, moving out of affordable housing, being able to take their kids to see their grandfather for the first time or some families went down to the beach for the first time and were able to take vacations. One mom bought her son a tuba so that he could be in the marching band. (It was) these little things that moms have always wanted to provide for their kids.
We were able to get some really good traction from that early pilot. And then we were able to expand that in the next year to about 110 moms. Actually, each year since, we’ve had about 100 moms go through a cohort of getting $1,000 a month for 12 months. And then we’ve added in, in addition to that, a $1,000 deposit and in a 529 (college) savings account for their kids so that they’re having the opportunity to build some wealth for their children.
We also have this opportunity to make sure that the stories of our moms are being put out there. We knew nothing was going to be able to change at a federal or state policy level if we continue to operate with … whatever these kind of nasty narratives around moms who are on welfare, that they’re going to abuse the system or that they don’t know what they’re doing with their money.
DiNatale: What are some of the expectations that you had going into the pilot? Were those met, exceeded or different than what the actual outcome was? What did you really wind up learning?
Stripp: We didn’t have a whole lot of expectations, because we wanted to leave the doors open. We were really asking questions around: When you give moms cash do they have the breathing room and the space to be able to actually think about their goals and what they want to do?
They have time to step back and take some time to go back to school and work on the career that they really wanted, as opposed to running between three part-time jobs just trying to make ends meet … People are able to save some of this money and move out of affordable housing or move into a higher paying career.
I think everything got really complicated with the second cohort because COVID came in, and it changed everything. On top of COVID, we just kind of have these compounding crises – the water crisis – and folks losing jobs because of that, because they’ve had to stay home with their kids (when classes went remote online).
But at the same time, I think what we really have seen … particularly in the second, third, and now we’re just about to wrap up our fourth cohort, what’s come out and all of the different kinds of evaluations and pieces that we’ve done has been a really increased sense of parental efficacy. So, moms feeling like they’re able to be the moms that they want to be for the first time. It’s a really big growth in their own sense of agency and their own sense of self-confidence.
DiNatale: I know a report is coming out later this month that covers more deeply what you’ve learned through this process. But with that work done, and lessons learned, is the plan to continue this program?
Stripp: We’re committed to at least having one more cohort that will start later this fall. I think there might be some pieces that look a little bit different based on things that we’ve learned, but we’re still kind of fleshing out a lot of those details. We want to at least do it once more. What we had committed to, at the beginning, was five years.
Ultimately, what we know is that we are a drop in the bucket. We are providing something for a subset of moms here in Jackson. And that’s important, but it’s not enough. And even the length of the program that we’re able to do is not enough. And I think all of these pilots that we’re seeing, a lot of people are using (American Rescue Plan Act) funds and other things to be able to do these (types of programs) in different cities, that’s great. But again, it’s never going to be totally what we want to see.
Our goal has always been, and what we’ve always said from the beginning, was to actually change federal policy and be able to see something come out of this — where we are creating more cash and trust-based benefits for families as opposed to limited vouchers or a social safety net that’s really easy to fall through.
DiNatale: So your goal, really, is changing the way America treats welfare and assistance programs. With the situation of the Mississippi welfare scandal in mind – the alleged misuse of $77 million in TANF (Temporary Assistance for Needy Families) funds – have you seen the conversation change at all about welfare dollar use?
Stripp: I would say no, not on a community level. Before we actually started doing the Magnolia Mother’s Trust, we had done an ad before the welfare scandal…came out, and in about 2017, we did a paper with (public policy think tank) New America, and interviewed a lot of our moms to talk about TANF…And I think, at that point, that was when less than 2% of applications were even being seen. And when we talked to moms about TANF and welfare their response was always like, ‘Oh, I don’t even bother with that; it’s not even worth my time.’ They had either applied before or tired before and it just never made sense. So most of them felt so kind of disillusioned by the system to begin with.
DiNatale: What about state leadership? Has anyone responded to the idea of changing how assistance works?
Stripp: I would say in Mississippi, no. The players at the table who we know would be into this are into it, and the players who are not into it are not interested. The (Mississippi) Democratic Caucus has been really supportive. We had moms come and testify, like the TANF legislative hearings … We’ve tried to have some conversations with the Department of Human Services that haven’t really gone anywhere.
This article first appeared on Mississippi Today and is republished here under a Creative Commons license.
Mississippi Today
New Stage’s ‘Little Women’ musical opens aptly in Women’s History Month
Ties that bind, not lines that divide, at the heart of “Little Women” are what make Louisa May Alcott’s beloved novel such an enduring classic. More than a century and a half since its 1868 publication, the March sisters’ coming-of-age tale continues to resonate in fresh approaches, say cast and crew in a musical version opening this week at New Stage Theatre in Jackson, Mississippi.
“Little Women, The Broadway Musical” adds songs to Alcott’s story of the four distinct March sisters — traditional, lovely Meg, spirited tomboy and writer Jo, quiet and gentle Beth, and artistic, pampered Amy. They are growing into young women under the watchful eye of mother Marmee as their father serves as an Army chaplain in the Civil War. “Little Women, The Broadway Musical” performances run March 25 through April 6 at New Stage Theatre.
In a serendipitous move, the production coincides with Women’s History Month in March, and has a female director at the helm — Malaika Quarterman, in her New Stage Theatre directing debut. Logistics and scheduling preferences landed the musical in March, to catch school matinees with the American classic.
The novel has inspired myriad adaptations in film, TV, stage and opera, plus literary retellings by other authors. This musical version debuted on Broadway in 2005, with music by Jason Howland, lyrics by Mindi Dickstein and book (script) by Allan Knee.
“The music in this show brings out the heart of the characters in a way that a movie or a straight play, or even the book, can’t do,” said Cameron Vipperman, whose play-within-a-play role helps illustrate the writer Jo’s growth in the story. She read the book at age 10, and now embraces how the musical dramatizes, speeds up and reconstructs the timeline for more interest and engagement.
“What a great way to introduce kids that haven’t read the book,” director Quarterman said, hitting the highlights and sending them to the pages for a deeper dive on characters they fell in love with over the two-and-a-half-hour run time.

Joy, familial warmth, love, courage, loss, grief and resilience are all threads in a story that has captivated generations and continues to find new audiences and fresh acclaim (the 2019 film adaptation by Greta Gerwig earned six Academy Award nominations).
In current contentious times, when diversity, equity and inclusion programs are being ripped out or rolled back, the poignant, women-centered narrative maintains a power to reach deep and unite.
“Stories where females support each other, instead of rip each other apart to get to the finish line — which would be the goal of getting the man or something — are very few and far between sometimes,” Quarterman said. “It’s so special because it was written so long ago, with the writer being such a strong dreamer, and dreaming big for women.
“For us to actualize it, where a female artistic producer chooses this show and believes in a brand new female director and then this person gets to empower these great, local, awesome artists — It’s just really been special to see this story and its impact ripple through generations of dreamers.” For Quarterman, a 14-year drama teacher with Jackson Public Schools active in community theater and professional regional theater, “To be able to tell this story here, for New Stage, is pretty epic for me.”
Alcott’s story is often a touchstone for young girls, and this cast of grown women finds much in the source material that they still hold dear, and that resonates in new ways.

“I relate to Jo more than any other fictional character that exists,” Kristina Swearingen said of her character, the central figure Jo March. “At different parts of my life, I have related to her in different parts of hers.”
The Alabama native, more recently of New York, recalled her “energetic, crazy, running-around-having-a-grand-old-time” youth in high school and college, then a career-driven purpose that led her, like Jo, to move to New York.
Swearingen first did this show in college, before the loss of grandparents and a major move. Now, “I know what it’s like to grieve the loss of a loved one, and to live so far away from home, and wanting to go home and be with your family but also wanting to be in a place where your career can take off. .. It hits a lot closer to home.”
As one of four sisters in real life, Frannie Dean of Flora draws on a wealth of memories in playing Beth — including her own family position as next to the youngest of the girls. She and siblings read the story together in their homeschooled childhood, assigning each other roles.

“Omigosh, this is my life,” she said, chuckling. “We would play pretend all day. … ‘Little Women’ is really sweet in that aspect, to really be able to carry my own experience with my family and bring it into the show. … It’s timeless in its nature, its warmth and what it brings to people.”
Jennifer Smith of Clinton, as March family matriarch Marmee, found her way in through a song. First introduced to Marmee’s song “Here Alone” a decade ago when starting voice lessons as an adult, she made it her own. “It became an audition piece for me. It became a dream role for me. It’s been pivotal in opening up doors for me.”
She relishes aging into this role, countering a common fear of women in the entertainment field that they may “age out” of desirable parts. “It’s just a full-circle moment for me, and I’m grateful for it.”

Quarterman fell in love with the 1969 film version she watched with her sister when they were little, adoring the family’s playfulness and stability. Amid teenage angst, she identified with the inevitable growth and change that came with siblings growing up and moving on. Being a mom brings a whole different lens.
“Seeing these little people in your life just growing up, being their own unique versions, all going through their own arc — it’s just fun, and I think that’s why you can stay connected” to the story at any life juncture, she said.
Cast member Slade Haney pointed out the rarity of a story set on a Northeastern homestead during the Civil War.
“You’re getting to see what it was like for the women whose husbands were away at war — how moms struggled, how sisters struggled. You had to make your own means. … I think both men and women can see themselves in these characters, in wanting to be independent like Jo, or like Amy wanting to have something of value that belongs to you and not just just feel like you’re passed over all the time, and Meg, to be valuable to someone else, and in Beth, for everyone to be happy and content and love each other,” Haney said.
New Stage Theatre Artistic Director Francine Reynolds drew attention, too, to the rarity of an American classic for the stage offering an abundance of women’s roles that can showcase Jackson metro’s talent pool. “We just always have so many great women,” she said, and classics — “To Kill a Mockingbird” and “Death of a Salesman,” for instance — often offer fewer parts for them, though contemporary dramas are more balanced.
Reynolds sees value in the musical’s timing and storyline. “Of course, we need to celebrate the contributions of women. This was a woman who was trying to be a writer in 1865, ’66, ’67. That’s, to me, a real trailblazing thing.
“It is important to show, this was a real person — Louisa May Alcott, personified as Jo. It’s important to hold these people up as role models for other young girls, to show that you can do this, too. You can dream your dream. You can strive to break boundaries.”
It is a key reminder of advancements that may be threatened. “We’ve made such strides,” Reynolds said, “and had so many great programs to open doors for people, that I feel like those doors are going to start closing, just because of things you are allowed to say and things you aren’t allowed.”
For tickets, $50 (discounts for seniors, students, military), visit www.newstagetheatre.com or the New Stage Theatre box office, or call 601-948-3533.
This article first appeared on Mississippi Today and is republished here under a Creative Commons license.
Mississippi Today
Rolling Fork – 2 Years Later

Tracy Harden stood outside her Chuck’s Dairy Bar in Rolling Fork, teary eyed, remembering not the EF-4 tornado that nearly wiped the town off the map two years before. Instead, she became emotional, “even after all this time,” she said, thinking of the overwhelming help people who’d come from all over selflessly offered.
“We’re back now, she said, smiling. “People have been so kind.”


“I stepped out of that cooler two years ago and saw everything, and I mean, everything was just… gone,” she said, her voice trailing off. “My God, I thought. What are we going to do now? But people came and were so giving. It’s remarkable, and such a blessing.”

“And to have another one come on almost the exact date the first came,” she said, shaking her head. “I got word from these young storm chasers I’d met. He told me they were tracking this one, and it looked like it was coming straight for us in Rolling Fork.”
“I got up and went outside.”
“And there it was!”
“I cannot tell you what went through me seeing that tornado form in the sky.”
The tornado that touched down in Rolling Fork last Sunday did minimal damage and claimed no lives.
Horns honk as people travel along U.S. 61. Harden smiles and waves.
She heads back into her restaurant after chatting with friends to resume grill duties as people, some local, some just passing through town, line up for burgers and ice cream treats.


Rolling Fork is mending, slowly. Although there is evidence of some rebuilding such as new homes under construction, many buildings like the library and post office remain boarded up and closed. A brutal reminder of that fateful evening two years ago.


















This article first appeared on Mississippi Today and is republished here under a Creative Commons license.
Mississippi Today
Remembering Big George Foreman and a poor guy named Pedro
George Foreman, surely one of the world’s most intriguing and transformative sports figures of the 20th century, died over the weekend at the age of 76. Please indulge me a few memories.
This was back when professional boxing was in its heyday. Muhammad Ali was heavyweight champion of the world for a second time. The lower weight divisions featured such skilled champions and future champs as Alex Arugello, Roberto “Hands of Stone” Duran, Tommy “Hit Man” Hearns and Sugar Ray Leonard.
Boxing was front page news all over the globe. Indeed, Ali was said to be the most famous person in the world and had stunned the boxing world by stopping the previously undefeated Foreman in an eighth round knockout in Kinshasa, Zaire, in October of 1974. Foreman, once an Olympic gold medalist at age 19, had won his previous 40 professional fights and few had lasted past the second round. Big George, as he was known, packed a fearsome punch.
My dealings with Foreman began in January of 1977, roughly 27 months after his Ali debacle with Foreman in the middle of a boxing comeback. At the time, I was the sports editor of my hometown newspaper in Hattiesburg when the news came that Foreman was going to fight a Puerto Rican professional named Pedro Agosto in Pensacola, just three hours away.
Right away, I applied for press credentials and was rewarded with a ringside seats at the Pensacola Civic Center. I thought I was going to cover a boxing match. It turned out more like an execution.
The mismatch was evident from the pre-fight introductions. Foreman towered over the 5-foot, 11-inch Agosto. Foreman had muscles on top of muscles, Agosto not so much. When they announced Agosto weighed 205 pounds, the New York sports writer next to me wise-cracked, “Yeah, well what is he going to weigh without his head?”
It looked entirely possible we might learn.
Foreman toyed with the smaller man for three rounds, almost like a full-grown German shepherd dealing with a tiny, yapping Shih Tzu. By the fourth round, Big George had tired of the yapping. With punches that landed like claps of thunder, Foreman knocked Agosto down three times. Twice, Agosto struggled to his feet after the referee counted to nine. Nearly half a century later I have no idea why Agosto got up. Nobody present– or the national TV audience – would have blamed him for playing possum. But, no, he got up the second time and stumbled over into the corner of the ring right in front of me. And that’s where he was when Foreman hit him with an evil right uppercut to the jaw that lifted the smaller man a foot off the canvas and sprayed me and everyone in the vicinity with Agosto’s blood, sweat and snot – thankfully, no brains. That’s when the ref ended it.
It remains the only time in my sports writing career I had to buy a T-shirt at the event to wear home.
So, now, let’s move ahead 18 years to July of 1995. Foreman had long since completed his comeback by winning back the heavyweight championship. He had become a preacher. He also had become a pitch man for a an indoor grill that bore his name and would sell more than 100 million units. He was a millionaire many times over. He made far more for hawking that grill than he ever made as a fighter. He had become a beloved figure, known for his warm smile and his soothing voice. And now he was coming to Jackson to sign his biography. His publishing company called my office to ask if I’d like an interview. I said I surely would.
One day at the office, I answered my phone and the familiar voice on the other end said, “This is George Foreman and I heard you wanted to talk to me.”
I told him I wanted to talk to him about his book but first I wanted to tell him he owed me a shirt.
“A shirt?” he said. “How’s that?”
I asked him if remembered a guy named Pedro Agosto. He said he did. “Man, I really hit that poor guy,” he said.
I thought you had killed him, I said, and I then told him about all the blood and snot that ruined my shirt.
“Man, I’m sorry about that,” he said. “I’d never hit a guy like that now. I was an angry, angry man back then.”
We had a nice conversation. He told me about finding his Lord. He told me about his 12 children, including five boys, all of whom he named George.
I asked him why he would give five boys the same name.
“I never met my father until late in his life,” Big George told me. “My father never gave me nothing. So I decided I was going to give all my boys something to remember me by. I gave them all my name.”
Yes, and he named one of his girls Georgette.
We did get around to talking about his book, and you will not be surprised by its title: “By George.”
This article first appeared on Mississippi Today and is republished here under a Creative Commons license.
://mississippitoday.org”>Mississippi Today.
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