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Dan Jones exposed a major political problem for Tate Reeves 

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Dan Jones exposed a major political problem for Tate Reeves 

Note: This editorial anchored Mississippi Today’s weekly legislative newsletter.Subscribe to our free newsletterfor exclusive access to legislative analyses and up-to-date information about what’s happening under the Capitol dome.

You almost certainly heard about the bombshell story former University of Mississippi Chancellor Dan Jones told at a press conference last week.

Jones said that Gov. Tate Reeves, Mississippi’s most staunch public opponent of Medicaid expansion, acknowledged to Jones in a private meeting several years ago the benefits of expansion. The governor, Jones recalled, then said he couldn’t champion it publicly because of “my personal political interest.”

Reeves, as he often does when challenged, got nasty. He said Jones was lying and referred to Jones only as “this dude.” You know, the longtime Baptist medical missionary and deacon. The six-year chief of the state’s flagship university. The years-long leader of the state’s largest hospital and dean of the state’s only medical school. The one-time national president of the American Heart Association. Just “this dude.”

As Jones spoke last week, a crowd of curious lobbyists — including a couple of Reeves’ former staffers — gathered in the rotunda to hear what he had to say. Jones, in less than five minutes, did what so many people under the dome have never dared: he called Tate Reeves out. While doing so, he laid out a succinct case for Medicaid expansion that the governor himself couldn’t ignore.

And Reeves’ hot-headed response to the whole thing may be all we need to know about how tough an issue it will be for him during the critical 2023 election year.

First, some scene setting: State Health Officer Dr. Daniel Edney warned lawmakers in late 2022 that 38 hospitals across the state are in danger of closing in the short term, and every hospital in the state faces unprecedented financial concerns.

A hospital funding solution that 39 other states — including many Republican-led states — have embraced is Medicaid expansion. Economists estimate Mississippi would receive more than $1 billion per year in new revenue from expansion, and hospitals and hundreds of thousands of Mississippians would benefit directly.

READ MORE: Mississippi leaving more than $1 billion per year on table by rejecting Medicaid expansion

Democratic legislative leaders organized the Thursday press conference to lambast Republicans for doing little to address the state’s hospital crisis. As a guest speaker, Jones was cast perfectly. He retired last year from a faculty position at University of Mississippi Medical Center after a decades-long career in medicine. He’s spent much of his career researching the impact of chronic health problems like hypertension, cardiovascular issues, and obesity on Mississippians. Years after leading the state’s largest hospital, he currently sits on the board of directors for the hospital in his hometown Hazlehurst. Needless to say, he knows a thing or two about the state’s health care system.

Some have questioned the timing of Jones’ press conference appearance. The first words out of his mouth that day should answer that question: “Believe me, the crisis is real. I’ve been involved in health care in Mississippi for more than 40 years. In those 40 years, I’ve never seen our health care system under such stress as it is now. It’s time for action to be taken.”

What got lost in the initial reporting that rightfully focused on the rare poking of the bear in the Governor’s Mansion was perhaps one of the most succinct cases for Medicaid expansion ever made in Jackson.

“First and most important is the moral imperative. Shame on us, shame on us for allowing the citizens of Mississippi to have health care problems and not have access to health care solutions. Shame on us. In the richest country in the world, in a state with millions and billions in its coffers, for us not to act on this and make health care available to all of our citizens in our state is immoral. It is immoral. It is time to act.

The second imperative is the economic imperative. In the 38 states that have expanded Medicaid, it’s been proven over and over again: states don’t lose money when they expand Medicaid, states gain money when they expand Medicaid. In an analysis of what would happen in Mississippi if Medicaid is expanded, done by a number of groups including our own state economist, there would clearly be an economic benefit for the state of Mississippi, for all Mississippians. Right now … there are families in Mississippi with health problems that are going into bankruptcy because of medical bills. Again, shame on us.

The last imperative is an important one. It’s the political imperative. The leaders of our state and elected officials are taking positions because they think it’s the politically correct thing to do for them. The Siena poll that was just published recently here in Mississippi demonstrates clearly that a majority of Mississippians are ready for all Mississippians to have access to health care. That Mississippians are ready for Medicaid expansion — not only Democrats and independents, but a majority of Republican voters are ready for Medicaid to be expanded. It’s time for elected officials to move forward and do something.”

Dr. Dan Jones on Feb. 2, 2023

The political argument may be the most timely, certainly in this statewide and legislative election year. As Jones highlighted, Reeves appears to be in the vast minority on Medicaid expansion.

The Siena College poll he referenced showed that 80% of Mississippians — including 70% of Republican respondents — support Medicaid expansion. Those everyday Mississippians join a cadre of health care professionals, local elected officials, economists, and others who are calling for Medicaid expansion.

READ MORE:Poll: 80% of Mississippians favor Medicaid expansion

Just two days before the press conference last week, Republican legislative leaders killed 15 bills, all filed by Democrats, that would have expanded Medicaid. Three days before the press conference, Reeves dug in deeper than ever in his opposition to expansion, telling lawmakers, “You have my word that if you stand up to the left’s push for endless government-run healthcare, I will stand with you.”

Reeves disrespectfully dismissed Jones on social media the same way he’s tried to dismiss expansion: by working to distract from the real issue at hand, by name-calling, by discrediting the source or the communicators of the source. It’s deflection straight out of the Donald Trump playbook.

But with so many hospitals on the verge of closing, with so many Mississippians struggling to afford basic health care, and with the overwhelming majority of Mississippians supportive of expansion, deflection may not be enough for Reeves anymore. His opposition to expansion has become a real political liability, and as the attention of the entire state focuses more on the hospital crisis, it could likely become the defining issue of this year’s governor’s race.

Just take a look at how Reeves’ most notable challenger responded to the Jones story last week.

“When Tate Reeves has a choice between doing right by Mississippi or getting ahead in his career, he always chooses himself,” said Brandon Presley, the leading Democratic candidate for governor. “Because he has no backbone, 38 hospitals may close and more Mississippians may die because of lack of access to health care. People deserve affordable health care — plain and simple.”

Reeves and his staff might be smart to start developing a strategy a little more nuanced than firing off a mean tweet.

READ MORE:‘What’s your plan, watch Rome burn?’: Politicians continue to reject solution to growing hospital crisis

This article first appeared on Mississippi Today and is republished here under a Creative Commons license.

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New Stage’s ‘Little Women’ musical opens aptly in Women’s History Month

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mississippitoday.org – Sherry Lucas – 2025-03-25 14:34:00

The March family at the center of “Little Women, The Broadway Musical” at New Stage Theatre includes (clockwise from left) Michaela Lin as Meg, Jennifer Smith as the mother Marmee, Kristina Swearingen as Jo (top), Sarah Pigott as Amy and Frannie Dean as Beth (front).

Ties that bind, not lines that divide, at the heart of “Little Women” are what make Louisa May Alcott’s beloved novel such an enduring classic. More than a century and a half since its 1868 publication, the March sisters’ coming-of-age tale continues to resonate in fresh approaches, say cast and crew in a musical version opening this week at New Stage Theatre in Jackson, Mississippi.

“Little Women, The Broadway Musical” adds songs to Alcott’s story of the four distinct March sisters — traditional, lovely Meg, spirited tomboy and writer Jo, quiet and gentle Beth, and artistic, pampered Amy. They are growing into young women under the watchful eye of mother Marmee as their father serves as an Army chaplain in the Civil War. “Little Women, The Broadway Musical” performances run March 25 through April 6 at New Stage Theatre.

In a serendipitous move, the production coincides with Women’s History Month in March, and has a female director at the helm — Malaika Quarterman, in her New Stage Theatre directing debut. Logistics and scheduling preferences landed the musical in March, to catch school matinees with the American classic.

The novel has inspired myriad adaptations in film, TV, stage and opera, plus literary retellings by other authors. This musical version debuted on Broadway in 2005, with music by Jason Howland, lyrics by Mindi Dickstein and book (script) by Allan Knee. 

“The music in this show brings out the heart of the characters in a way that a movie or a straight play, or even the book, can’t do,” said Cameron Vipperman, whose play-within-a-play role helps illustrate the writer Jo’s growth in the story. She read the book at age 10, and now embraces how the musical dramatizes, speeds up and reconstructs the timeline for more interest and engagement.

“What a great way to introduce kids that haven’t read the book,” director Quarterman said, hitting the highlights and sending them to the pages for a deeper dive on characters they fell in love with over the two-and-a-half-hour run time.

Sisters share a joyous moment in “Little Women, The Broadway Musical.” Cast members are, from left, Kristina Swearingen (Jo March), Michaela Lin (Meg), Sarah Pigott (Amy), Frannie Dean (Beth) and Alex Burnette (Laurie Laurence).

Joy, familial warmth, love, courage, loss, grief and resilience are all threads in a story that has captivated generations and continues to find new audiences and fresh acclaim (the 2019 film adaptation by Greta Gerwig earned six Academy Award nominations). 

In current contentious times, when diversity, equity and inclusion programs are being ripped out or rolled back, the poignant, women-centered narrative maintains a power to reach deep and unite. 

“Stories where females support each other, instead of rip each other apart to get to the finish line — which would be the goal of getting the man or something — are very few and far between sometimes,” Quarterman said. “It’s so special because it was written so long ago, with the writer being such a strong dreamer, and dreaming big for women.

“For us to actualize it, where a female artistic producer chooses this show and believes in a brand new female director and then this person gets to empower these great, local, awesome artists — It’s just really been special to see this story and its impact ripple through generations of dreamers.” For Quarterman, a 14-year drama teacher with Jackson Public Schools active in community theater and professional regional theater, “To be able to tell this story here, for New Stage, is pretty epic for me.”

Alcott’s story is often a touchstone for young girls, and this cast of grown women finds much in the source material that they still hold dear, and that resonates in new ways.

Kristina Swearingen plays Jo March, the aspiring writer at the center of the story in “Little Women, The Broadway Musical” at New Stage Theatre.

“I relate to Jo more than any other fictional character that exists,” Kristina Swearingen said of her character, the central figure Jo March. “At different parts of my life, I have related to her in different parts of hers.” 

The Alabama native, more recently of New York, recalled her “energetic, crazy, running-around-having-a-grand-old-time” youth in high school and college, then a career-driven purpose that led her, like Jo, to move to New York. 

Swearingen first did this show in college, before the loss of grandparents and a major move. Now, “I know what it’s like to grieve the loss of a loved one, and to live so far away from home, and wanting to go home and be with your family but also wanting to be in a place where your career can take off. .. It hits a lot closer to home.”

As one of four sisters in real life, Frannie Dean of Flora draws on a wealth of memories in playing Beth — including her own family position as next to the youngest of the girls. She and siblings read the story together in their homeschooled childhood, assigning each other roles. 

Kristina Swearingen (left) and Frannie Dean, as March sisters Jo and Beth, share a sweet moment in “Little Women, The Broadway Musical” at New Stage Theatre.

“Omigosh, this is my life,” she said, chuckling. “We would play pretend all day. … ‘Little Women’ is really sweet in that aspect, to really be able to carry my own experience with my family and bring it into the show. … It’s timeless in its nature, its warmth and what it brings to people.”

Jennifer Smith of Clinton, as March family matriarch Marmee, found her way in through a song. First introduced to Marmee’s song “Here Alone” a decade ago when starting voice lessons as an adult, she made it her own. “It became an audition piece for me. It became a dream role for me. It’s been pivotal in opening up doors for me.” 

She relishes aging into this role, countering a common fear of women in the entertainment field that they may “age out” of desirable parts. “It’s just a full-circle moment for me, and I’m grateful for it.”

Malaika Quarterman is the director of “Little Women, The Broadway Musical,” now showing through April 6 at New Stage Theatre.

Quarterman fell in love with the 1969 film version she watched with her sister when they were little, adoring the family’s playfulness and stability. Amid teenage angst, she identified with the inevitable growth and change that came with siblings growing up and moving on. Being a mom brings a whole different lens. 

“Seeing these little people in your life just growing up, being their own unique versions, all going through their own arc — it’s just fun, and I think that’s why you can stay connected” to the story at any life juncture, she said.

Cast member Slade Haney pointed out the rarity of a story set on a Northeastern homestead during the Civil War. 

“You’re getting to see what it was like for the women whose husbands were away at war — how moms struggled, how sisters struggled. You had to make your own means. … I think both men and women can see themselves in these characters, in wanting to be independent like Jo, or like Amy wanting to have something of value that belongs to you and not just just feel like you’re passed over all the time, and Meg, to be valuable to someone else, and in Beth, for everyone to be happy and content and love each other,” Haney said.

New Stage Theatre Artistic Director Francine Reynolds drew attention, too, to the rarity of an American classic for the stage offering an abundance of women’s roles that can showcase Jackson metro’s talent pool. “We just always have so many great women,” she said, and classics — “To Kill a Mockingbird” and “Death of a Salesman,” for instance — often offer fewer parts for them, though contemporary dramas are more balanced.

Reynolds sees value in the musical’s timing and storyline. “Of course, we need to celebrate the contributions of women. This was a woman who was trying to be a writer in 1865, ’66, ’67. That’s, to me, a real trailblazing thing.

“It is important to show, this was a real person — Louisa May Alcott, personified as Jo. It’s important to hold these people up as role models for other young girls, to show that you can do this, too. You can dream your dream. You can strive to break boundaries.” 

It is a key reminder of advancements that may be threatened. “We’ve made such strides,” Reynolds said, “and had so many great programs to open doors for people, that I feel like those doors are going to start closing, just because of things you are allowed to say and things you aren’t allowed.”

For tickets, $50 (discounts for seniors, students, military), visit www.newstagetheatre.com or the New Stage Theatre box office, or call 601-948-3533.

This article first appeared on Mississippi Today and is republished here under a Creative Commons license.

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Rolling Fork – 2 Years Later

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mississippitoday.org – Vickie King – 2025-03-25 12:32:00

Tracy Harden stood outside her Chuck’s Dairy Bar in Rolling Fork, teary eyed, remembering not the EF-4 tornado that nearly wiped the town off the map two years before. Instead, she became emotional, “even after all this time,” she said, thinking of the overwhelming help people who’d come from all over selflessly offered.

Tracy Harden, owner of Chuck’s Dairy Bar, wipes away tears outside her U.S 61 restaurant in Rolling Fork, Monday, March 24, 2025. March 24th marks the second anniversary of a deadly EF-4 tornado that ravaged the town, claiming 15 lives. Last Sunday, another tornado hit the small town Credit: Vickie D. King/Mississippi Today

“We’re back now, she said, smiling. “People have been so kind.”

Tracy Harden, owner of Chuck’s Dairy Bar, stands outside her U.S 61 restaurant in Rolling Fork, Monday, March 24, 2025. March 24th marks the second anniversary of a deadly EF-4 tornado that ravaged the town, claiming 15 lives. Last Sunday, another tornado hit the small town with little damage and no loss of life. Credit: Vickie D. King/Mississippi Today
Chuck’s Dairy Bar, located on U.S 61 in Rolling Fork, Monday, March 24, 2025, the second anniversary of a deadly EF-4 tornado that ravaged the town, claiming 15 lives. Last Sunday, another, far less devastating tornado hit the small town. Credit: Vickie D. King/Mississippi Today

“I stepped out of that cooler two years ago and saw everything, and I mean, everything was just… gone,” she said, her voice trailing off. “My God, I thought. What are we going to do now? But people came and were so giving. It’s remarkable, and such a blessing.”

A truck rests in what is left of Chuck’s Dairy Bar in Rolling Fork in this Saturday, March 25, 2023, photo taken after a tornado devasted the area on March 24, 2023.

“And to have another one come on almost the exact date the first came,” she said, shaking her head. “I got word from these young storm chasers I’d met. He told me they were tracking this one, and it looked like it was coming straight for us in Rolling Fork.”

“I got up and went outside.”

“And there it was!”

“I cannot tell you what went through me seeing that tornado form in the sky.”

The tornado that touched down in Rolling Fork last Sunday did minimal damage and claimed no lives.

Horns honk as people travel along U.S. 61. Harden smiles and waves.

She heads back into her restaurant after chatting with friends to resume grill duties as people, some local, some just passing through town, line up for burgers and ice cream treats.

Erma Peterson (left) and Chuck’s Dairy Bar owner Tracy Harden get a tickle listening to Peterson’s mother’s comments from inside the car on the goodness of ice cream, Monday, March 24, 2025, in Rolling Fork. Credit: Vickie D. King/Mississippi Today
A look inside Chuck’s Dairy Bar, Monday, March 24, 2025. Two years ago, an EF-4 tornado destroyed much of the town, including the restaurant. Credit: Vickie D. King/Mississippi Today

Rolling Fork is mending, slowly. Although there is evidence of some rebuilding such as new homes under construction, many buildings like the library and post office remain boarded up and closed. A brutal reminder of that fateful evening two years ago.

New construction of homes in Rolling Fork, Monday, March 24, 2025, on the second anniversary of an EF-4 tornado that struck the town. Credit: Vickie D. King/Mississippi Today
Tornado devastation in Rolling Fork on Saturday, March 25, 2023. (Vickie D. King/Mississippi Today) Credit: Vickie D. King/Mississippi Today
Two 18-wheelers were tossed like toy trucks onto a building, killing a man and his wife, on March 24, 2023. An EF-4 tornado struck Rolling Fork two years ago. Only the slab remains, Monday, March 24, 2025. Credit: Vickie D. King/Mississippi Today
Ellijah Washington, 64, of Rolling Fork, sifts through what is left of his Chuck’s Trailer Park home, Saturday, March 25, 2023. (Vickie D. King/Mississippi Today) Credit: Vickie D. King/Mississippi Today
The view directly behind Chuck’s Dairy Bar in Rolling Fork, Monday, March 24, 2025. Only slabs in a field remain of Chuck’s Trailer Park. Credit: Vickie D. King/Mississippi Today
A tornado obliterated Chuck’s Trailer Park in Rolling Fork on March 24, 2023, as seen in this photo taken the next day. Not one mobile home remained. Credit: Vickie D. King/Mississippi Today
The view directly behind Chuck’s Dairy Bar in Rolling Fork, Monday, March 24, 2025. Only slabs in a field remain of Chuck’s Trailer Park. Credit: Vickie D. King/Mississippi Today
Tornado devastation in Rolling Fork on Saturday, March 25, 2023. (Vickie D. King/Mississippi Today) Credit: Vickie D. King/Mississippi Today
Two years after a tornado destroyed much of Rolling Fork, new construction is in the works, Monday, March 25, 2025. Credit: Vickie D. King/Mississippi Today
Water tower construction in Rolling Fork, Monday, March 24, 2025. A deadly EF-4 tornado struck the town 2 years ago, killing 15 residents. Credit: Vickie D. King/Mississippi Today
Construction of new homes in Rolling Fork, Monday, March 24, 2025, on the second anniversary of an EF-4 tornado that struck the town. Credit: Vickie D. King/Mississippi Today
Two years after a tornado destroyed much of Rolling Fork, its resilient residents strive to rebuild their town, Monday, March 25, 2025. Credit: Vickie D. King/Mississippi Today
Two years ago, Rolling Fork was devastated by an EF-4 tornado that claimed 15 lives. A view of the small town, Monday, March 24, 2025. Credit: Vickie D. King/Mississippi Today

This article first appeared on Mississippi Today and is republished here under a Creative Commons license.

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Remembering Big George Foreman and a poor guy named Pedro

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mississippitoday.org – Rick Cleveland – 2025-03-25 08:58:00

George Foreman, surely one of the world’s most intriguing and transformative sports figures of the 20th century, died over the weekend at the age of 76. Please indulge me a few memories.

This was back when professional boxing was in its heyday. Muhammad Ali was heavyweight champion of the world for a second time. The lower weight divisions featured such skilled champions and future champs as Alex Arugello, Roberto “Hands of Stone” Duran, Tommy “Hit Man” Hearns and Sugar Ray Leonard.

Boxing was front page news all over the globe. Indeed, Ali was said to be the most famous person in the world and had stunned the boxing world by stopping the previously undefeated Foreman in an eighth round knockout in Kinshasa, Zaire, in October of 1974. Foreman, once an Olympic gold medalist at age 19, had won his previous 40 professional fights and few had lasted past the second round. Big George, as he was known, packed a fearsome punch.

My dealings with Foreman began in January of 1977, roughly 27 months after his Ali debacle with Foreman in the middle of a boxing comeback. At the time, I was the sports editor of my hometown newspaper in Hattiesburg when the news came that Foreman was going to fight a Puerto Rican professional named Pedro Agosto in Pensacola, just three hours away.

Right away, I applied for press credentials and was rewarded with a ringside seats at the Pensacola Civic Center. I thought I was going to cover a boxing match. It turned out more like an execution.

The mismatch was evident from the pre-fight introductions. Foreman towered over the 5-foot, 11-inch Agosto. Foreman had muscles on top of muscles, Agosto not so much. When they announced Agosto weighed 205 pounds, the New York sports writer next to me wise-cracked, “Yeah, well what is he going to weigh without his head?”

It looked entirely possible we might learn.

Foreman toyed with the smaller man for three rounds, almost like a full-grown German shepherd dealing with a tiny, yapping Shih Tzu. By the fourth round, Big George had tired of the yapping. With punches that landed like claps of thunder, Foreman knocked Agosto down three times. Twice, Agosto struggled to his feet after the referee counted to nine. Nearly half a century later I have no idea why Agosto got up. Nobody present– or the national TV audience – would have blamed him for playing possum. But, no, he got up the second time and stumbled over into the corner of the ring right in front of me. And that’s where he was when Foreman hit him with an evil right uppercut to the jaw that lifted the smaller man a foot off the canvas and sprayed me and everyone in the vicinity with Agosto’s blood, sweat and snot – thankfully, no brains. That’s when the ref ended it.

It remains the only time in my sports writing career I had to buy a T-shirt at the event to wear home. 

So, now, let’s move ahead 18 years to July of 1995. Foreman had long since completed his comeback by winning back the heavyweight championship. He had become a preacher. He also had become a pitch man for a an indoor grill that bore his name and would sell more than 100 million units. He was a millionaire many times over. He made far more for hawking that grill than he ever made as a fighter. He had become a beloved figure, known for his warm smile and his soothing voice. And now he was coming to Jackson to sign his biography. His publishing company called my office to ask if I’d like an interview. I said I surely would.

One day at the office, I answered my phone and the familiar voice on the other end said, “This is George Foreman and I heard you wanted to talk to me.”

I told him I wanted to talk to him about his book but first I wanted to tell him he owed me a shirt.

“A shirt?” he said. “How’s that?”

I asked him if remembered a guy named Pedro Agosto. He said he did. “Man, I really hit that poor guy,” he said.

I thought you had killed him, I said, and I then told him about all the blood and snot that ruined my shirt.

“Man, I’m sorry about that,” he said. “I’d never hit a guy like that now. I was an angry, angry man back then.”

We had a nice conversation. He told me about finding his Lord. He told me about his 12 children, including five boys, all of whom he named George.

I asked him why he would give five boys the same name.

“I never met my father until late in his life,” Big George told me. “My father never gave me nothing. So I decided I was going to give all my boys something to remember me by. I gave them all my name.”

Yes, and he named one of his girls Georgette.

We did get around to talking about his book, and you will not be surprised by its title: “By George.”

This article first appeared on Mississippi Today and is republished here under a Creative Commons license.

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