Mississippi Today
All 8 remaining playoff quarterbacks came through Manning academy
All 8 remaining playoff quarterbacks came through Manning academy

Question: What do all eight starting quarterbacks remaining in the NFL playoffs have in common, other than an intense spotlight shining on them this weekend?
Answer: While still in college, all eight worked as counselors in the Manning Passing Academy (MPA) in Thibodaux, La. Count ’em, eight: Dak Prescott, Dallas Cowboys; Trevor Lawrence, Jacksonville Jaguars; Jalen Hurts, Philadelphia Eagles; Brock Purdy, San Francisco 49ers; Daniel Jones, New York Giants; Joe Burrow, Cincinnati Bengals; Patrick Mahomes, Kansas City Chiefs; and Josh Allen Buffalo Bills.
Several of those, including Dak Prescott, were Manning campers before they became counselors later on.

“We’d love to take credit for all their success, but they were pretty good when we got them,” Archie Manning told Mississippi Today on Tuesday. Archie Manning and his sons Cooper, Peyton and Eli are all deeply involved in the camp, which is already sold out with a long waiting list for 2023.
Besides the eight quarterbacks, Kellen Moore, the coach who will call the Cowboys’ plays for Prescott, worked as an MPA counselor when he played at Boise State. Cincinnati Bengals head coach Zac Taylor was an MPA counselor in 2006 when he played at Nebraska.
What’s more, three of the four quarterbacks whose teams lost in the playoffs last weekend were also MPA counselors. The only outlier? Tom Brady.
Deadpanned Cooper Manning, “Tom just wasn’t good enough.”
The 26-year-old MPA welcomes approximately 1,200 campers each summer for four days of intensive instruction. Over the years, thousands of those campers have been Mississippians.
“We like to keep the coach/camper ratio at 10 to 1,” Archie Manning said. “So our coaching staff consists roughly of about 80 high school and college coaches and then about 40 counselors who are college quarterbacks.”
Many of the college quarterbacks, including Prescott, attended MPA multiple years. Philadelphia Eagles quarterback Jalen Hurts, a prime candidate for NFL MVP, was a three-year counselor, including two times when he was at Alabama and once when he was at Oklahoma.

“The portal has really changed things,” Archie Manning said. “When I was sending out invitations for our return counselors, 11 of 21 had changed schools.”
Asked if any of the counselor-turned-playoffs quarterbacks have surprised him, Archie Manning didn’t have to think long to answer. “It would have to be Brock Purdy,” Manning said. “I mean, my gosh, from last pick in the draft to doing what he’s doing right now in San Francisco. I knew he was pretty good, but this is something like Ole Miss getting the last bid to the NCAA Tournament and then going on to win the national championship.”
That’s exactly what happened with Ole Miss baseball last year. And Purdy, a rookie out of Iowa State, has quarterbacked the San Francisco 49ers to six straight victories since becoming a starter, throwing 16 touchdowns, just four interceptions. Purdy was a third string rookie before injuries to the top two 49ers quarterbacks elevated him to a starting role.
So, how did an Iowa State quarterback end up at a football camp in Thibodaux, La.? “I was flipping channels one Saturday and started watching an Iowa State game,” Archie Manning answered. “I just loved the way Brock played and made a note to invite him to the camp.”
Purdy accepted, as nearly all do. It has become almost like a badge of honor for college quarterbacks to be invited to be an MPA counselor.
Archie Manning says he stays in touch with all “our guys,” primarily with text messaging. “I congratulate them when they do well, and probably send as many or more notes when they have a bad game,” he said. “That’s the thing with quarterbacks. You’re going to have bad games. That’s the nature of it. You’re going to throw interceptions, and not all them will be your fault. Look at Dak in the last game of the regular season. I was so proud of him the way he came back in the playoffs Monday night.”
Prescott, Manning said, is one of his favorite quarterbacks to come through MPA. “Love Dak,” he said. “Love the way he plays, love his toughness, love the way he handles himself. Love everything about him.”
That doesn’t mean Archie and son Eli weren’t above playing a joke on Dak during one summer camp. “Papa John’s made us these bright red T-shirts for our counselors one year,” Archie Manning said. “Eli and I took the one for Dak and added some stripes to it and made it look like an Ole Miss game jersey.”
Prescott wore it – after removing the stripes.

Archie Manning recalls watching Trevor Lawrence in person for the first time at the MPA in 2019 when Lawrence was Clemson’s star quarterback. “What I remember is watching Trevor work out and throw and thinking, ‘This is what God drew up when he decided to make a perfect quarterback.’”

Cincinnati Bengals quarterback Joe Burrow was invited to MPA in the summer of 2019 just before his breakout National Championship season at LSU. Archie Manning also invited Amory native Jimmy Burrow, a college coach and Joe’s dad, to the camp that year.
“Jimmy wrote me a note the next week and told me how much they enjoyed it,” Archie Manning said. “He told me Joe told him on the way home that he believed he was the best quarterback at camp and he probably was. Joe has never lacked for confidence.”
“What I remember most about Joe, besides how good he was, was how his hair and his sunglasses had to be perfect,” Cooper Manning said. “Joe was always stylin’. Still is.”
One of the annual highlights of the camp is a Friday night throwing competition among the counselors. In 2017, the competition was delayed by a heavy rainstorm.

“Usually, in Thibodaux, when it rains like that there’s lots of lightning and they have to come off the field,” Archie Manning said. “That day, Josh Allen (then of Wyoming, now the Buffalo Bills) comes up to me in the locker room and says, ‘Mr. Manning, it’s not lightning. Let’s go out there and do this.’ Josh is so competitive. He couldn’t wait.
“So we go out there and it’s wet as can be, and I’ll never forget it. It’s hard to throw a wet ball because it gets slick and heavy, but Josh threw that thing like it was perfectly dry. I turned to Peyton and said, ‘Can you believe this guy?’ Peyton couldn’t believe it either. Never seen anybody throw a wet football like that.I always said Matt Stafford had the strongest arm I had ever seen, but then I saw Josh Allen throw it. Unbelievable.”
Cooper Manning concurs. “It was raining like crazy. Everything was soaked and wet. And there’s Josh, slinging it 80 yards.”
Of course, throwing at targets in shorts and t-shirts is not a good predictor or how someone will throw the football when the blitz is coming and huge, angry people are coming at you intent on rearranging your body parts.
Patrick Mahomes would be Exhibit A.
“I remember when Mahomes came,” Archie Manning said. “In the competition he was like just another guy. There were several who could throw it as well or better. When Pat really impresses is when he’s throwing on the move, improvising, extending plays. Nobody does it better. He just makes plays.”
Nine-time Pro Bowler Russell Wilson is another who attended MPA both as a camper and then a counselor. Wilson didn’t make the playoffs this year with the Denver Broncos, but Archie Manning well remembers when Wilson and the Seattle Seahawks trounced the Broncos and Peyton Manning in the 2014 Super Bowl. In fact, Archie remembers watching a mid-Super Bowl week TV interview with Wilson. “Russell was wearing a Manning Passing Academy t-shirt there at the Super Bowl,” Archie said. “That blew me away.”
Said Cooper Manning, “It has gotten to be almost like a fraternity, the guys who have been through MPA and are now some of the biggest stars in the sport. We’re proud of it, and we don’t take it for granted.”
This article first appeared on Mississippi Today and is republished here under a Creative Commons license.
Mississippi Today
New Stage’s ‘Little Women’ musical opens aptly in Women’s History Month
Ties that bind, not lines that divide, at the heart of “Little Women” are what make Louisa May Alcott’s beloved novel such an enduring classic. More than a century and a half since its 1868 publication, the March sisters’ coming-of-age tale continues to resonate in fresh approaches, say cast and crew in a musical version opening this week at New Stage Theatre in Jackson, Mississippi.
“Little Women, The Broadway Musical” adds songs to Alcott’s story of the four distinct March sisters — traditional, lovely Meg, spirited tomboy and writer Jo, quiet and gentle Beth, and artistic, pampered Amy. They are growing into young women under the watchful eye of mother Marmee as their father serves as an Army chaplain in the Civil War. “Little Women, The Broadway Musical” performances run March 25 through April 6 at New Stage Theatre.
In a serendipitous move, the production coincides with Women’s History Month in March, and has a female director at the helm — Malaika Quarterman, in her New Stage Theatre directing debut. Logistics and scheduling preferences landed the musical in March, to catch school matinees with the American classic.
The novel has inspired myriad adaptations in film, TV, stage and opera, plus literary retellings by other authors. This musical version debuted on Broadway in 2005, with music by Jason Howland, lyrics by Mindi Dickstein and book (script) by Allan Knee.
“The music in this show brings out the heart of the characters in a way that a movie or a straight play, or even the book, can’t do,” said Cameron Vipperman, whose play-within-a-play role helps illustrate the writer Jo’s growth in the story. She read the book at age 10, and now embraces how the musical dramatizes, speeds up and reconstructs the timeline for more interest and engagement.
“What a great way to introduce kids that haven’t read the book,” director Quarterman said, hitting the highlights and sending them to the pages for a deeper dive on characters they fell in love with over the two-and-a-half-hour run time.

Joy, familial warmth, love, courage, loss, grief and resilience are all threads in a story that has captivated generations and continues to find new audiences and fresh acclaim (the 2019 film adaptation by Greta Gerwig earned six Academy Award nominations).
In current contentious times, when diversity, equity and inclusion programs are being ripped out or rolled back, the poignant, women-centered narrative maintains a power to reach deep and unite.
“Stories where females support each other, instead of rip each other apart to get to the finish line — which would be the goal of getting the man or something — are very few and far between sometimes,” Quarterman said. “It’s so special because it was written so long ago, with the writer being such a strong dreamer, and dreaming big for women.
“For us to actualize it, where a female artistic producer chooses this show and believes in a brand new female director and then this person gets to empower these great, local, awesome artists — It’s just really been special to see this story and its impact ripple through generations of dreamers.” For Quarterman, a 14-year drama teacher with Jackson Public Schools active in community theater and professional regional theater, “To be able to tell this story here, for New Stage, is pretty epic for me.”
Alcott’s story is often a touchstone for young girls, and this cast of grown women finds much in the source material that they still hold dear, and that resonates in new ways.

“I relate to Jo more than any other fictional character that exists,” Kristina Swearingen said of her character, the central figure Jo March. “At different parts of my life, I have related to her in different parts of hers.”
The Alabama native, more recently of New York, recalled her “energetic, crazy, running-around-having-a-grand-old-time” youth in high school and college, then a career-driven purpose that led her, like Jo, to move to New York.
Swearingen first did this show in college, before the loss of grandparents and a major move. Now, “I know what it’s like to grieve the loss of a loved one, and to live so far away from home, and wanting to go home and be with your family but also wanting to be in a place where your career can take off. .. It hits a lot closer to home.”
As one of four sisters in real life, Frannie Dean of Flora draws on a wealth of memories in playing Beth — including her own family position as next to the youngest of the girls. She and siblings read the story together in their homeschooled childhood, assigning each other roles.

“Omigosh, this is my life,” she said, chuckling. “We would play pretend all day. … ‘Little Women’ is really sweet in that aspect, to really be able to carry my own experience with my family and bring it into the show. … It’s timeless in its nature, its warmth and what it brings to people.”
Jennifer Smith of Clinton, as March family matriarch Marmee, found her way in through a song. First introduced to Marmee’s song “Here Alone” a decade ago when starting voice lessons as an adult, she made it her own. “It became an audition piece for me. It became a dream role for me. It’s been pivotal in opening up doors for me.”
She relishes aging into this role, countering a common fear of women in the entertainment field that they may “age out” of desirable parts. “It’s just a full-circle moment for me, and I’m grateful for it.”

Quarterman fell in love with the 1969 film version she watched with her sister when they were little, adoring the family’s playfulness and stability. Amid teenage angst, she identified with the inevitable growth and change that came with siblings growing up and moving on. Being a mom brings a whole different lens.
“Seeing these little people in your life just growing up, being their own unique versions, all going through their own arc — it’s just fun, and I think that’s why you can stay connected” to the story at any life juncture, she said.
Cast member Slade Haney pointed out the rarity of a story set on a Northeastern homestead during the Civil War.
“You’re getting to see what it was like for the women whose husbands were away at war — how moms struggled, how sisters struggled. You had to make your own means. … I think both men and women can see themselves in these characters, in wanting to be independent like Jo, or like Amy wanting to have something of value that belongs to you and not just just feel like you’re passed over all the time, and Meg, to be valuable to someone else, and in Beth, for everyone to be happy and content and love each other,” Haney said.
New Stage Theatre Artistic Director Francine Reynolds drew attention, too, to the rarity of an American classic for the stage offering an abundance of women’s roles that can showcase Jackson metro’s talent pool. “We just always have so many great women,” she said, and classics — “To Kill a Mockingbird” and “Death of a Salesman,” for instance — often offer fewer parts for them, though contemporary dramas are more balanced.
Reynolds sees value in the musical’s timing and storyline. “Of course, we need to celebrate the contributions of women. This was a woman who was trying to be a writer in 1865, ’66, ’67. That’s, to me, a real trailblazing thing.
“It is important to show, this was a real person — Louisa May Alcott, personified as Jo. It’s important to hold these people up as role models for other young girls, to show that you can do this, too. You can dream your dream. You can strive to break boundaries.”
It is a key reminder of advancements that may be threatened. “We’ve made such strides,” Reynolds said, “and had so many great programs to open doors for people, that I feel like those doors are going to start closing, just because of things you are allowed to say and things you aren’t allowed.”
For tickets, $50 (discounts for seniors, students, military), visit www.newstagetheatre.com or the New Stage Theatre box office, or call 601-948-3533.
This article first appeared on Mississippi Today and is republished here under a Creative Commons license.
Mississippi Today
Rolling Fork – 2 Years Later

Tracy Harden stood outside her Chuck’s Dairy Bar in Rolling Fork, teary eyed, remembering not the EF-4 tornado that nearly wiped the town off the map two years before. Instead, she became emotional, “even after all this time,” she said, thinking of the overwhelming help people who’d come from all over selflessly offered.
“We’re back now, she said, smiling. “People have been so kind.”


“I stepped out of that cooler two years ago and saw everything, and I mean, everything was just… gone,” she said, her voice trailing off. “My God, I thought. What are we going to do now? But people came and were so giving. It’s remarkable, and such a blessing.”

“And to have another one come on almost the exact date the first came,” she said, shaking her head. “I got word from these young storm chasers I’d met. He told me they were tracking this one, and it looked like it was coming straight for us in Rolling Fork.”
“I got up and went outside.”
“And there it was!”
“I cannot tell you what went through me seeing that tornado form in the sky.”
The tornado that touched down in Rolling Fork last Sunday did minimal damage and claimed no lives.
Horns honk as people travel along U.S. 61. Harden smiles and waves.
She heads back into her restaurant after chatting with friends to resume grill duties as people, some local, some just passing through town, line up for burgers and ice cream treats.


Rolling Fork is mending, slowly. Although there is evidence of some rebuilding such as new homes under construction, many buildings like the library and post office remain boarded up and closed. A brutal reminder of that fateful evening two years ago.


















This article first appeared on Mississippi Today and is republished here under a Creative Commons license.
Mississippi Today
Remembering Big George Foreman and a poor guy named Pedro
George Foreman, surely one of the world’s most intriguing and transformative sports figures of the 20th century, died over the weekend at the age of 76. Please indulge me a few memories.
This was back when professional boxing was in its heyday. Muhammad Ali was heavyweight champion of the world for a second time. The lower weight divisions featured such skilled champions and future champs as Alex Arugello, Roberto “Hands of Stone” Duran, Tommy “Hit Man” Hearns and Sugar Ray Leonard.
Boxing was front page news all over the globe. Indeed, Ali was said to be the most famous person in the world and had stunned the boxing world by stopping the previously undefeated Foreman in an eighth round knockout in Kinshasa, Zaire, in October of 1974. Foreman, once an Olympic gold medalist at age 19, had won his previous 40 professional fights and few had lasted past the second round. Big George, as he was known, packed a fearsome punch.
My dealings with Foreman began in January of 1977, roughly 27 months after his Ali debacle with Foreman in the middle of a boxing comeback. At the time, I was the sports editor of my hometown newspaper in Hattiesburg when the news came that Foreman was going to fight a Puerto Rican professional named Pedro Agosto in Pensacola, just three hours away.
Right away, I applied for press credentials and was rewarded with a ringside seats at the Pensacola Civic Center. I thought I was going to cover a boxing match. It turned out more like an execution.
The mismatch was evident from the pre-fight introductions. Foreman towered over the 5-foot, 11-inch Agosto. Foreman had muscles on top of muscles, Agosto not so much. When they announced Agosto weighed 205 pounds, the New York sports writer next to me wise-cracked, “Yeah, well what is he going to weigh without his head?”
It looked entirely possible we might learn.
Foreman toyed with the smaller man for three rounds, almost like a full-grown German shepherd dealing with a tiny, yapping Shih Tzu. By the fourth round, Big George had tired of the yapping. With punches that landed like claps of thunder, Foreman knocked Agosto down three times. Twice, Agosto struggled to his feet after the referee counted to nine. Nearly half a century later I have no idea why Agosto got up. Nobody present– or the national TV audience – would have blamed him for playing possum. But, no, he got up the second time and stumbled over into the corner of the ring right in front of me. And that’s where he was when Foreman hit him with an evil right uppercut to the jaw that lifted the smaller man a foot off the canvas and sprayed me and everyone in the vicinity with Agosto’s blood, sweat and snot – thankfully, no brains. That’s when the ref ended it.
It remains the only time in my sports writing career I had to buy a T-shirt at the event to wear home.
So, now, let’s move ahead 18 years to July of 1995. Foreman had long since completed his comeback by winning back the heavyweight championship. He had become a preacher. He also had become a pitch man for a an indoor grill that bore his name and would sell more than 100 million units. He was a millionaire many times over. He made far more for hawking that grill than he ever made as a fighter. He had become a beloved figure, known for his warm smile and his soothing voice. And now he was coming to Jackson to sign his biography. His publishing company called my office to ask if I’d like an interview. I said I surely would.
One day at the office, I answered my phone and the familiar voice on the other end said, “This is George Foreman and I heard you wanted to talk to me.”
I told him I wanted to talk to him about his book but first I wanted to tell him he owed me a shirt.
“A shirt?” he said. “How’s that?”
I asked him if remembered a guy named Pedro Agosto. He said he did. “Man, I really hit that poor guy,” he said.
I thought you had killed him, I said, and I then told him about all the blood and snot that ruined my shirt.
“Man, I’m sorry about that,” he said. “I’d never hit a guy like that now. I was an angry, angry man back then.”
We had a nice conversation. He told me about finding his Lord. He told me about his 12 children, including five boys, all of whom he named George.
I asked him why he would give five boys the same name.
“I never met my father until late in his life,” Big George told me. “My father never gave me nothing. So I decided I was going to give all my boys something to remember me by. I gave them all my name.”
Yes, and he named one of his girls Georgette.
We did get around to talking about his book, and you will not be surprised by its title: “By George.”
This article first appeared on Mississippi Today and is republished here under a Creative Commons license.
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